Ramayana Short Summary Dasharatha is the King of Ayodhya and has three wives and four sons, Rama, Lakshmana, Bharata and Shatrughana. Rama is the ideal and perfect son, and grows up with his. શ્રી વાલ્મીકી રામાયણ: Shri Valmiki Ramayana (Gujarati) by હરેન્દ્ર શુક્લ (Harendra Shukla). Google Play shows that Ramayan In Gujarati is rated 4.5 by its users. Advertisements are a part of the tool. The statistics show that this application is popular mostly among Samsung and Gionee users. Get the latest installation package of Ramayan In Gujarati 1.0.6 free of charge and check out users' reviews on Droid Informer. Ramayana story: Jatayu sacrifice in fight with Ravana! 27, 2016 Stories from Ramayana. In Ramayan, Jatayu was a very old vulture bird. When he met Ravana, he was very old. He was the King of the vultures but not very strong that time. He saw that Sita matha was in trouble and she was calling.
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- Ramayana Story In Gujarati
Luv and Kush were the children of Lord Ram and his wife Sita. After Sita was banished from the kingdom of Ayodhya, she took shelter in the ashram of Valmiki, which was based in a forest on the banks of the Tamsa river.
Birth and childhood of Luv and Kush
Luv (Lava) and Kush were born in this ashram of rishi Valmiki. They were educated and trained by rishi Valmiki. One variation of the legend interpreted the origin of Lava’s twin brother Kush.
Once, Sita was going for a bath to the nearby river (tamsa), and while she was going for bath she requested muni Valmiki to take care of her son Lava, and muni nodded his head as he was busy writing. After going some steps she observed that muni was continuously immersed in writing, so she took Lava with herself.
After some time when Muni looked for the child who was supposed to be with him, he could not find Luv. Muni was not aware of the fact that Sita herself had taken Luv with her. Muni was concerned what he would say when Sita wil return and ask for her kid.
So he made a child from nearby Kush (a grass utilized for producing mats and roofs of kutiya’s in ancient India) and gave life to it. When Sita returned, Muni was surprised to see that Luv was with her, so he asked Sita to take care of both children as her own children. Since Valmiki muni used Kush to make the child, the child was given the name Kush.
Luv and Kush Training by Maharshi Valmiki
Lava and Kush were born in Maharshi Valmiki’s ashram. Before their birth Sita had requested Valmiki to accept her kids as his disciple. Valmiki basically started education Lava and Kush when they were around 5 years of age. He trained them in archery and they were able to launch arrows at the speed of sound.
He also trained them about divine & celestial warfare. He made them masters in archery so that nobody on this planet could conquer them in war. He established a connection between his mind and Lava and Kush’s mind and directly transmitted all his knowledge to them.
After military skills, he taught them the art of singing and playing the veena. He taught them the Ramyana, which was written by Maharshi Valmiki himself, keeping Rama as the center point. Later, Luv and Kush used their singing skills to infuse love for Sita in the Ayodhya’s people.
When Rama carried out the Ashvamedha Yagya, the horse strayed into their forest, which brought them into conflict with their own father. Not aware that Rama was their progenitor, they captured the horse and declined to release it. They engaged in conflict and defeated Ram’s brothers (Bharata, Shatrughna and Lakshmana) with ease.
Eventually, Rama himself came to confront them in battle, but after witnessing their prowess, he invited them to Ayodhya to perform the Yagya. It was at that point that he learned of their identity as his sons.
ગણતરીની પદ્ધત્તિ પર આધારીત, રામાયણનાં લગભગ ૩૦૦ સંસ્કરણ[૧][૨] વિદ્યમાન હોવાનું મનાય છે. સૌથી પ્રાચીન સંસ્કરણ તો સંસ્કૃતમાંવાલ્મીકિઋષિનું જ મનાય છે.
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રામાયણ, ભારત બહાર ઘણાં એશિયન દેશોમાં વિસ્તરણ પામ્યું હતું. જેમાં બર્મા, ઇન્ડોનેશિયા, કમ્બોડીયા, લાઓસ, ફીલીપાઈન્સ અને ચીન સામેલ છે. ઘણી પ્રાદેશિક ભાષાઓમાં પણ મૂળ વાલ્મીકિ રામાયણ કે પછી તેનું ભાષાંતરણ સ્વીકૃત થયેલું છે, જેમાં કથા અને પ્રસંગોમાં ઘણી જગ્યાઓએ થોડીઘણી અનુરૂપતાઓ જણાય છે. કેટલાંક મહત્વનાં અનુરૂપો જોઈએ તો, ૧૨મી સદીનું તમિલરામાવતારમ્, ખ્મેર ભાષાનું રીમખેર (Reamker), જુની જાવાનીઝ ભાષાનું કાકાવિન રામાયણ (Kakawin Ramayana), થાઈ ભાષાનું રામાકૈન (Ramakien), અને લાઓસનુંફ્રા લક ફ્રા લમ.
એ તો દેખાઈ આવે છે કે મૂળ રામાયણની વિષયવસ્તુ ઘણું જ વિશાળ છે, ખાસ કરીને તે જે વિવિધ ભાષાઓમાં ઉપલબ્ધ થયું છે તેમાં તો તેનાં તત્ત્વને જાણવું ઘણું જ અઘરૂં છે. કેમ કે, તેનો સાર આ ભાષાઓ, પ્રદેશોની સંસ્કૃતિ અને કલાનાં વિવિધ પ્રભાવ હેઠળ રજુ થયો છે. ઉદાહરણ તરીકે, લખોનના ખમેર નૃત્ય અને કેરાલા તથા લક્ષદ્વિપના મુસ્લિમો નુ મપ્પિલા ગીત રામાયણ પર આધારિત છે. ભારતનુ યક્ષગીત અને થાઈલેન્ડના મહેલ વટ ફ્રા કઇવ ના ચિત્રો પણ રામાયણ પર આધારિત છે. ઈન્ડોનેશિયન નાટક અને વ્યંગ પણ રામાયણ દર્શાવવામાં આવી છે. અંગરકોટ વાટ પણ લંકાયુદ્ધનાં ચિત્રો જોવા મળે છે.
સંસ્કૃત સંસ્કરણો[ફેરફાર કરો]
નીચે રામાયણનાં બહુજાણીતાં સંસ્કરણોમાંનાં કેટલાકની યાદી આપી છે. કેટલાંક પ્રાથમીકપણે વાલ્મિકીનાં કથનનું જ વર્ણન કરે છે, તો કેટલાંકનું ધ્યાન ગૌણ કથાનકો કે દાર્શનિક વિવરણો પર છે:
- અધ્યાત્મ રામાયણ બ્રહ્માનંદ પુરાણમાંથી તારવવામાં આવ્યું છે, પરંપરાગત રીતે જેનાં લેખક વ્યાસજી મનાયા છે. એમ પણ મનાય છે કે આ રામાયણમાંથી તુલસીદાસને અવધી ભાષામાં રામચરિતમાનસ રચવાની પ્રેરણા મળેલી. વાલ્મિકી રામાયણ રામની મનુષ્ય લીલાનું વર્ણન કરે છે જ્યારે અધ્યાત્મ રામાયણ તેમનાં પ્રત્યે ઈશ્વરીય દૃષ્ટિકોણથી તેમની લીલાઓનું વર્ણન કરે છે. આની રચના પણ વાલ્મિકી રામાયણની જેમ સાત કાંડ(ખંડ)માં થયેલી છે.
- વશિષ્ઠ રામાયણ (યોગ વશિષ્ઠથી જાણીતું છે) પણ વાલ્મિકીએ રચ્યાનું કહેવાય છે. મુખ્યત્વે આ રામ અને વશિષ્ઠ વચ્ચેનો સંવાદ છે જેમાં વશિષ્ઠજી વિવિધ કથાપ્રસંગો અને દૃષ્ટાંતરૂપ કથાઓ દ્વારા ”અદ્વૈત વેદાંત”નાં ઘણાં માંહ્યલાં મુખ્ય સિદ્ધાંતોનું પ્રતિપાદન કરે છે. જો કે અહીં વાલ્મિકીની રામકથાને ફરીથી વિગતવાર વર્ણવવામાં આવી નથી.
- લઘુ યોગ વશિષ્ઠ - આ રામાયણ કાશ્મીરનાં અભિનાંદનું યોગ વશિષ્ઠ છે.
- આનંદ રામાયણ - વાલ્મીકિની આ રામાયણ રામનાં પાછળનો જીવનવૃત્ત વર્ણવાયો છે. જેમાં રામેશ્વરમ લિંગનો વૃત્તાંત અપાયો છે.
- અગસ્ત્ય રામાયણ અગસ્ત્યે રામાયણનું વર્ણન કર્યું છે.
- અદ્ભુત રામાયણ - વાલ્મીકિની આ રામાયણ સીતા કાલીનાં રૂપે હજાર હાથવાળા રાવણનો વધ કરે છે.
- મહાભારતનાં વનપર્વમાં પણ રામોપખ્યાન છે.
- મહાનાટક હનુમાન પર આધારિત રામાયણ છે.
પ્રાદેશિક સંસ્કરણો[ફેરફાર કરો]
Some noteworthy examples of these additional renderings of the Ramayana tale include:
- Tamil Nadu - The TamilKambaramayanam, a popular version, written by poet Kamban in the 12th century.
- Karnataka - The Kannada versions of the Ramayana – the Kumudendu Ramayana(a Jain version), written in 13th century and the Kumara-Valmiki Torave Ramayana, written in the 16th century. There is another version titled Ramachandra Charita Purana written by Nagachandra during the 13th century.
- Assam - Saptakanda Ramayana, The Assamese Katha Ramayana or Kotha Ramayana in 14th century by Madhava Kandali.
- Bengal - The Bengali Krittivasi Ramayan written by Krittibas Ojha in 15th century.
- Orissa - The Oriya Dandi Ramayana or Jagamohan Ramayana was adapted by Balaram Das in the 16th century.
- Maharashtra - The MarathiBhavartha Ramayana written by Eknath in the 16th century. There is also reference of a Ramayana being translated into old Marathi during the 12th or 13th century.
- Goa - Ramayanu written by Krishnadasa Shama in 15th century in Kardalipura, Goa in Konkani, manuscripts found in Portugal.[૩][૪]
- Awadh - The Ramcharitmanas written by Goswami Tulsidas in the 16th century is the Ramayana version popular in North India.
- Kerala - The Malayalam languageAdhyatma Ramayanam Kilipattu written by Thunchaththu Ezhuthachan in the 16th century.
- Gujarat - The Tulsi-Krta Ramayana is a Gujarati adaptation of Tulsidas' Ramcharitamanas in 17th century, by the poet Premanand Swami.
- Urdu version called the Pothi Ramayana was written in 17th century.
- Jammu and Kashmir - The Kashmiri Ramavatara Charita was written in 19th century.
- Kannada - Two prose works by Nanadalike Lakshminarayana ('Muddanna') entitled Adbhuta Ramayana (1895) and Ramaswamedham (1898).[૫]
- Andhra Pradesh - The Sri Ranganatha Ramayanamu was adapted by Buddha Reddy and is the Telugu version of the Ramayana. The Molla Ramayanamu was adapted by poetess Molla.
- Nepal - The Nepali languageBhanubhakta Ramayana written by Bhanubhakta Acharya in the 19th century. The Nepal BhasaSiddhi Ramayana was written by Siddhidas Mahaju in the 20th century.
- Buddhism - Dasarata Jataka. This version is notable for depicting Rama and Sita as siblings who marry. Such sibling marriages are a common symbolic imagery in early Buddhist literature to denote purity of a dynasty. As the Buddha is supposed to have come from the Ikshvaku clan (of Rama) this symbolised his dynastic merits.
- Jain - Paumachariyam. This version is written as a polemic against brahmanical Sanskrit versions asserting that all characters in the Ramayana were mere mortals who engaged in conflict over moral issues. The only superhuman feat mentioned is Ravana's ability to fly through the clouds (meghavahana). All characters are depicted as Jains and the Rama, Sita and Lakshmana visit Jain pilgrimage sites rather than ashrams (as in Valmiki ramayana) during their stay in the forest.
Champu Ramayana, Ananda Rayamana, Mantra Ramayana, Giridhara Ramayana, Shree Ramayana mangeri, Shree Ranganatha Ramayana, Bhaskara Ramayana,Gobinda Ramayana written by Guru Gobind Singhji,in samvat 1655, Radhey Shyam Ramayana.
ભારત બાહ્ય સંસ્કરણો[ફેરફાર કરો]
Ramayan Full Story In Gujarati
The following are among the versions of the Ramayana that have emerged outside India:
- Cambodia - Reamker
- Thailand - Ramakien
- Laos - Phra Lak Phra Lam
- Burma (Myanmar) - Yama Zatdaw
- Malaysia - Hikayat Seri Rama
- Java, Indonesia - Kakawin Ramayana
- Philippines - Rajah Magandiri
- Nepal - The Nepal Bhasa version called Siddhi Ramayan was written by Mahakavi Siddhidas Mahaju Amatya during Nepal Bhasa renaissance era and the Khas language (later called 'Nepali') version of Bhanubhaktako Ramayan by Bhanubhakta Acharya marked the first epic written in the language.
- Tibet — found in several manuscripts from Dunhuang[૬]
સમકાલીન સંસ્કરણો[ફેરફાર કરો]
ચિત્ર:Hanumantha.jpgContemporary prose versions of the epic Ramayana include Sri Ramayana Darshanam by Dr. K. V. Puttappa in Kannada and Ramayana Kalpavrikshamu by Viswanatha Satyanarayana in Telugu, both of which have been awarded the Jnanpith Award. A prose version called Geet Ramayan in Marathi by G.D. Madgulkar was rendered in music by Sudhir Phadke and is considered to be a masterpiece of Marathi literature. The popular Indian author R. K. Narayan wrote a shortened prose interpretation of the epic. In addition, Ramesh Menon wrote a single-volume edition of the Ramayana, which has received praise from scholars. A short version with a somewhat contemporary feel, influenced, according to the author, by contemporary representations of guerrilla warfare, appeared in Martin Buckley's Ramayana-based travelogue, An Indian Odyssey (Random House London, 2008). C Rajgopalachari, India's only Indian Governor General, also wrote a single volume Ramayana, published by Bhavans in 1957. In September 2006, the first issue of Ramayan 3392 A.D. was published by Virgin Comics, featuring the Ramayana as re-envisioned by author Deepak Chopra and filmmaker Shekhar Kapur.
Most recently, popular Indian author Ashok Banker, authored an eight-volume imaginative retelling based on the Ramayana which found considerable success and was credited with ushering in a new wave of interest in the epic as well as other mythological retellings. Banker's version took considerable liberties with the original Sanskrit epic yet found critical acclaim. It is claimed to be the most popular retelling of the epic currently.
પરદા પર[ફેરફાર કરો]
The Ramayana has been adapted on screen as well, most notably as the television series Ramayan by producer Ramanand Sagar, which is based primarily on the Ramcharitmanas and Valmiki's Ramayana and, at the time, was the most popular series in Indian television history. In the late 1990s, Sanjay Khan made a series called Jai Hanuman, recounting tales from the life of Hanuman and related characters from the Ramayana.
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A Japanese animated film called Ramayana: The Legend of Prince Rama was released in the early 1990s. US animation artist Nina Paley retold the Ramayana from Sita's point of view (with a secondary story about Paley's own marriage) in the animated musical Sita Sings the Blues. An Indian animated film called Ramayana: The Epic was released in October 2010. The Stories Without Borders Production Company has a documentary in production about different versions of the Ramayana and a second India epic, the Mahabharata, across South and Southeast Asia that is slated to film begin filming in 2014.
ચિત્રકથાઓ[ફેરફાર કરો]
Artist Vikas Goel and writer Vijayendra Mohanty have created a ten-part comic series called Ravanayan that presents the story of Ramayana from Ravana's perspective.[૭]
Following the success of Ashok Banker's Ramayana Series retellings, a graphic novel adaptation was released in 2010.
રંગમંચ[ફેરફાર કરો]
Starting in 1978, and under the supervision of Baba Hari Dass, the Ramayana has been performed every year by Mount Madonna School. Currently, it is the largest yearly, Western version of the epic being performed.
આ પણ જુઓ[ફેરફાર કરો]
નોંધ[ફેરફાર કરો]
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- ↑Camille Bulcke, Ramkatha: Utpatti aur Vikās (The Rāma story: Original and development), Prayāg: Hindī Pariṣad Prakāśan, 1950.
- ↑A. K. Ramanujan, 'Three hundred Rāmāyaṇas: Five Examples and Three Thoughts on Translation', in Paula Richman (ed.), Many Rāmāyaṇas: The Diversity of a Narrative Tradition in South Asia, Berkeley, California: University of California Press, 1991, p. 48, note 3.
- ↑Saradesāya, Manohararāya (2000). A history of Konkani literature: from 1500 to 1992. Sahitya Akademi,. p. 317. ISBN81-7201-664-6, 9788172016647 Check
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(મદદ) - ↑Bhembre, Uday (September 2009). Konkani bhashetalo paylo sahityakar:Krishnadas Shama. Sunaparant Goa. pp. 55–57.
- ↑- Modern Kannada Literature 'Modern Kannada Literature' Check
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value (મદદ). Wikipedia. - ↑de Jong, J.W. 1971. ‘Un fragment de l’histoire de Rāma en tibétain’ in Études tibétaines dédiées à la mémoire de Marcelle Lalou. Paris: Librairie d’Amérique et d’Orient; de Jong, J.W. 1977. The Tun-huang Manuscripts of the Tibetan Ramayana Story’, Indo-Iranian Journal 19:37-88, 1977; Thomas, F.W. 1929. ‘A Rāmāyaṇa Story in Tibetan from Chinese Turkestan’ in Indian Studies in Honor of Charles Rockwell Lanman: 193–212. Cambridge, Mass: Harvard University Press.
- ↑Banerjee, Manali (2011-07-09). 'The Ramayana as Ravana saw it'. Hindustan Times. New Delhi: HT Media. Retrieved 2011-07-23.Check date values in:
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(મદદ)
ગ્રંથસૂચિ[ફેરફાર કરો]
- Many Ramayanas: The Diversity of a Narrative Tradition in South Asia, ed. by Paula Richman. University of California Press, 1991.